Wednesday, April 29, 2009

Expanding Territory

When the ALT allows himself to get cramped in his little village in Toyama prefecture, wrapped-up in the social intricacies of the gaijin community or, conversely, sinks deep into the meditative recesses of youtube surfing, he is bound to forget that Toyama, Japan is famous throughout the whole of the nation for its nature. For this Wednesday's holiday my buddy James and I decided to remind ourselves of this fact.
10 kilometers out from our section of town along the banks of the Jinzu river brought us face to face with the endless expanse of the Sea of Japan. Stretching for as far as the eyes could see, Toyama's quiet, sandy beaches, interspersed with giant, concrete spikes (to break the waves) and the occasional city, had the modernist in me eagerly clicking his pen. For the next 12 kilometers, we would ride along this great body of water, feeling ourselves transition between worlds; the quiet suburbs, the abandoned factory districts, the isolated off-road, and the bustling urban centers. I soon got the sense of being a kind of bystander, an observer to man's drive to progress against his desire to preserve places for the masses to connect with their wild origins (which was subtly encouraged by the soft summer breeze and heat of the sun). As these two forces battled it out, every so often, the great mediator would appear from behind the trees to remind me of the eternal, the unconquerable: the great Tateyama.
Toyama prefecture's majestic Hida mountain range isn't refered to as "the Japanese Alps" for nothing. With snow covered peaks as high as 3,015 lightly outlined by tall, green hills, the range gives one the sense he has landed in Bavaria or Geneva. Tateyama is tallest of the mountains, an active volcano, and along with Fuji and Haku one of the three holy mountains of Japan. There is no mistaking the echos of Japan's mythical gods and monsters, long since banished to these mystical, far-out territories by a modern human society, exacting their revenge on trespassers who brave their most perilous passages. Indeed this disconnect from all things societal gave me a calming feeling on my midweek holiday and reminded me what a privilege it was to live in this beautiful countryside.
5 kilometers from a remote combini, we worked our way up a one of Hida's green hills; a tanuki flashed before our eyes and was gone in the thick labyrinth of flora and fauna (see my March post "Letting it All Hang Out"). With sweat drenching our entire body and sunburn slowly making its home on the back of our necks, we arrived at Tofukuju park; here's a nice place to relax and have a bite to eat I thought. We took a short walk around and enjoyed a game of Japanese park golf (a hairy, awkward love child of regular and mini golf) before the park abruptly closed, and we sped down the hill back towards home; the ride down, which was over an hour going up, took all of seven minutes.
A few hours on the road and I was back in my apartment. The soreness in my legs reminded me of the challenge of biking more than 40miles, and the rewards of all I had done and seen. I'm not certain what it is about natural beauty that connects with us so deeply; perhaps no matter how comfortably we build our little homes, we can never fully divorce ourselves from the grass and the dirt and the water from which our kind came to exist and to which we return after death. I played the day out over and over again in my head, falling asleep in the tiny block of concrete that I pay a monthly fee to call my own, carved into a vast metropolis of thousands just like it, remembering the exponentially more vast and wonderful world, which belongs to all of us.

Friday, April 10, 2009

Russia Cares...

Putin was on TV the other day bragging about how Russia spends a larger percentage of its budget on social institutions than Japan does. Apparently, only average Russian citizens understood the irony.

Thursday, April 9, 2009

Lessons from Sodom

Whether you believe in the old story from the Torah or not, God's destruction of Sodom and Gemmorah as described in the book of Genesis provides a timeless lesson that transcends both society and religion: when people ignore basic human decency and civility and become entangled in a self-indulgent, hedonistic culture, eventually, they are doomed to chaos and destruction.

Dubai, the jewel of the United Arab Emirates, brings that old story back to the modern world. Many of you have seen the emails with photos of a desert bunker that in only thirty years became one of the worlds most futuristic looking metropoli. With expats from all over the world, million dollar hotels, and constant celebrity appearances ranging from Lindsey Lohan to Robert DeNiro, Dubai seems a true victory for capitalist ambition. Foreign investors and poor Arab workers flocked to the great city, lured by promises of great fortune and comfortable lifestyles. But what lies at the heart of the success of this once quiet desert village, and how will this define its future? Johann Hari's eye-opening report from the Independent shows us how Dubai is less like a paradise and more like Pleasure Island.

Wednesday, April 8, 2009

Letting it All Hang Out

Tanuki is one of Japan's most endearing characters. Beloved by both adults and children alike, this furry little guy can be seen just about everywhere you look: at the hot springs, in front of post offices, on the shelves of gift shops, and on the pages of comic books. He is based on a rare and undeniably cute species of animal known as the Japanese Raccoon Dog, which is native only to Japan, making his national icon status more than fully cemented among the population. In fact, one could easily compare him both in appearance and cultural significance to our Mickey Mouse or Russia's Cheburashka. But unlike his Russian and American counterparts, who are known for their unusually large ears, the Tanuki's oversized trademark is a much different appendage: namely, his testicles.

Sometimes making up as much as 40% of his little brown body, Tanuki's giant set of balls is difficult even for the most naive observer not to notice. They are oval-shaped in a brown scrotum and usually hang to the ground. What's even more astounding, though, is the wide range of supernatural things he can do with his giant spheres of life. Tanuki has been known to swing them around as he pleases, use them as wings to fly great distances, and provide humans who rub them with good fortune. One can often hear Japanese children chanting "tan-tan-tanuki's balls, there isn't even any wind and they still go swing-swing-swing." The old song "Do Your Ears Hang Low," when applied to the appropriate body part, paints an even clearer picture of Tanuki's fantastic abilities.

The prominence of this well-endowed creature in Japanese folklore seems to play to two sides of the national identity. First, it echoes the peculiarities of Japanese comedy, which relies heavily on fart jokes and potty humor to elicit laughter. Old children's folk songs often talk of caricatured giant penises and their exploits. "Hard Gay," a leather bound, loud and proud homosexual who roams the streets of big cities thrusting his genitals in unsuspecting pedestrians' faces is a kind of national hero. At the same time, there is an apparent comfort among the Japanese over the depiction of the male sexual organ: something absent from societies founded on principles of puritanism. Parents take their young children, both male and female, into the public baths without any reservations. Japan's Kinamara Matsuri, or Penis Festival (and yes, there is a corresponding Vagina Festival), features parades with giant iron and clay genitalia being hoisted upon able men and women's shoulders. While it may stir up controversy among western travelers, the Japanese tend to see their casual attitude towards human anatomy as an essential part of their culture.

The influence of the genitals on daily life in Japan is apparent, and even I can't avoid falling in line. The five man rock group of which I am the lead vocalist here in Toyama, for example, is called "O'pinpin", an obvious word play on the Japanese ochinchin meaning wiener or pee pee. Such a rude little moniker would seem to ruin any ambitions of becoming a family friendly, teen idol band a la Jonas Brothers. In fact, quite the opposite is true. Any worries over telling my students or superiors that I'm in a band essentially called "Ding Dong" or "Shlong" are quickly quelled by the ubiquitous reaction of a chuckle and a request to see us live.

And so I unabashedly rub the great sack of fortune hanging below Tanuki's mighty, round belly. It hasn't made me rich or unusually lucky, but it's good for a laugh.


Learn more about Tanuki: http://www.onmarkproductions.com/html/tanuki.shtml

Learn more about Japan's Penis Festival
http://sonletay.vox.com/library/post/pictures-of-japans-iron-penis-festival-kanamara-matsuri.html